Senin, 28 Juni 2010

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My War Gone By, I Miss It So

  • Sales Rank: #394290 in Books
  • Binding: Paperback

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Sabtu, 26 Juni 2010

[Z754.Ebook] Download PDF The Black Key (Lone City Trilogy), by Amy Ewing

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The Black Key (Lone City Trilogy), by Amy Ewing

The thrilling conclusion to the New York Times bestselling Lone City trilogy, which began with The Jewel, a book BCCB said "will have fans of Oliver's Delirium, Cass's The Selection, and DeStefano's Wither breathless."

For too long, Violet and the people of the outer circles of the Lone City have lived in service of the royalty of the Jewel. But now, the secret society known as the Black Key is preparing to seize power.

While Violet knows she is at the center of this rebellion, she has a more personal stake in it—for her sister, Hazel, has been taken by the Duchess of the Lake. Now, after fighting so hard to escape the Jewel, Violet must do everything in her power to return not only to save Hazel, but the future of the Lone City.

  • Sales Rank: #8691 in Books
  • Published on: 2016-10-04
  • Released on: 2016-10-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x 1.01" w x 5.50" l, .0 pounds
  • Binding: Hardcover
  • 304 pages

Review
Praise for The Jewel (;)

“With its taut, provocative plot and irresistible characters, THE JEWEL had me tearing through pages right up to the final, startling twist. I need the next book now!” (Andrea Cremer, international bestselling author of The Nightshade Series)

“Excellent world building… skillful descriptions.” (Booklist (starred review))

“Ewing writes a fast-paced story that takes readers into the inner workings of a society that is obsessed with power and perfection.” (School Library Journal)

“Will have fans of Oliver’s Delirium, Cass’ The Selection, and DeStefano’s Wither breathless with anticipation for the sequel.” (Bulletin of the Center for Children’s Books)

Praise for The White Rose (;)

“This fast-paced plot and a surprise twist will make readers anxious for the next series entry. A must-read for fans of the previous title; they will not be disappointed.” (School Library Journal)

“The story’s setting is interesting. A decadent matriarchal society is thought provoking. This is a quick read. Good storytelling.” (Voice of Youth Advocates (VOYA))

“Ewing bravely blends several genres. This solidly sets fans up for the next volume.” (Kirkus)

From the Back Cover

For too long, Violet and the people of the outer circles of the Lone City have lived a life of servitude, controlled and manipulated by the royalty of the Jewel. But now, the secret society known as the Black Key is preparing to seize power and knock down the walls dividing each circle.

And while Violet knows she is at the center of this rebellion, she has a more personal stake in it—for her sister, Hazel, has been taken by the Duchess of the Lake. Now, after fighting so hard to escape the Jewel, Violet must do everything in her power to return, to save not only Hazel, but the future of the Lone City.

In this thrilling conclusion to Amy Ewing’s epic trilogy, Violet’s loyalty to her family is pitted against her dedication to overthrowing a destructive and terrifying regime. This is an explosively compelling story that readers won’t be able to put down.

About the Author

Amy Ewing earned her MFA in Writing for Children at the New School and received her BFA at New York University. The Jewel started off as a thesis project but became her debut novel. The second novel in the trilogy is The White Rose. She lives in New York City. Visit Amy online at www.amyewingbooks.com.

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2 of 2 people found the following review helpful.
I'm sad this is the end of the series!
By Amanda
I'm sad this is the end of the series! I always wish authors would let you read about what happenes to the character's once the goal is accomplished..... Like did they ever get to live in the farm and what was the outcome of the royals tribunal?
Other than that, I ABSOLUTELY 100% loved this series! Violet Lasting is such an inspiring character, and really motivated me to live life to the fullest & treat others with kindness.
I loved the world Amy Ewing created in this series. It was very ea sy to see similarities to certain aspects of life today as we know it and it makes me want to make a difference like Violet, Raven, Lucien, Sil and everyone involved with the Paladin or Black Key uprising!

2 of 2 people found the following review helpful.
Rushed conclusion to the series
By CHS
I agree with a few other reviews that this book felt rushed. For me it wasn't just the ending either. Some parts of the book I felt my eyes glazing over or me just skimming through a paragraph because the author wasn't really doing anything to build up the scene, it was like a rush through of certain parts. Then with the ending there really was so much more that could have been written about- maybe even another book on their new lives! This was a great series but I finished the book quickly during two layovers and flights.

I recommend this series, I was just disappointed at this finale, I felt the author rushed through writing this.

0 of 0 people found the following review helpful.
A Can't miss series!!
By Susie K.
Amy Ewing is new to me. In 5 books, she has made me a fan!! Her writing style swiftly transports you to wherever she is writing, in this case, the Jewel. Her descriptions are so vivid without taking away from the story. I can see everything the character sees and hear them beside me. Such a great writer!!

Ok... on this book.

I love the struggles the surrogates and The Society goes through and the failures of some plans. This book opens a surprise with an even bigger surprise ending. You HAVE TO catch this series!!

Thanks Amy for a great series!! Looking forward to more!!

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Jumat, 25 Juni 2010

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Multicultural Education Issues & Perspectives, Fourth Edition, by James A. Banks

  • Sales Rank: #6891651 in Books
  • Published on: 2003-07
  • Binding: Paperback
  • 436 pages

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Kamis, 24 Juni 2010

[C974.Ebook] PDF Download Motorcycle Chassis Design: The Theory and Practice, by Tony Foale

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Book by Foale, Tony

  • Sales Rank: #655566 in Books
  • Brand: Brand: Osprey Pub Co
  • Published on: 1984-11
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 160 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

7 of 7 people found the following review helpful.
Later edition available
By Tony Foale
This book was written in 1983. A much more comprehensive volume was published in 2002 and a second updated edition in 2006. The title is Motorcycle Handling and Chassis Design - the art and science.
It has over 5 times the content of the 1984 edition.
It is available from Amazon Motorcycle Handling and Chassis Design: the art and science or direct from the author's web site at [...]

5 of 6 people found the following review helpful.
The best
By spike
This is the only book to buy if you are an engineer (or seriously into study of how motorcycles work) and want a basic technical book on motorcycle chassis design and theory, It covers everything the other books cover, but in greater technical depth.

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Rabu, 23 Juni 2010

[P987.Ebook] Fee Download Pastel: Basics: Learn fundamental techniques for using this fun and colorful medium (How to Draw & Paint), by Alain Picard

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Pastel is a versatile medium unlike any other. Although beginning artists are often interested in pastel, the medium can appear intimidating to the novice. With its comprehensive introduction, tips, techniques, and easy-to-follow instruction, Pastel Basics seeks to create a fun and approachable means of introducing this adaptable medium to beginning artists, illustrating that pastels are accessible to any artist who wants to work with them. This book covers the basic pastel tools and materials, as well as the differences between hard and soft pastels and how to use them. Accomplished artist Alain Picard provides an in-depth introduction to color theory, training aspiring artists how to use and blend pastel colors effectively to achieve the desired temperature, mood, and atmosphere, as well as to create depth and movement. Artists will discover how to achieve soft and vibrant effects, render light and shadow, and achieve a range of textures with this delicate and soft medium. In addition, artists will learn how to create a range of strokes using myriad techniques, such as stippling, hatching, blending, and more, and discover methods for creating brilliant skies, realistic reflections, luminous light, velvety tones, and deep shadows. Simple step-by-step projects allow artists of all abilities to put their newfound pastel skills to use and include such subjects as a landscape, a portrait, and a still life. With expert instruction, a breadth of coverage, helpful tips, and colorful illustrations, Pastel Basics is the perfect resource for artists wanting to get started using this fun and vibrant medium.

  • Sales Rank: #525934 in Books
  • Published on: 2013-05-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 13.75" h x .13" w x 10.25" l, .45 pounds
  • Binding: Paperback
  • 32 pages

About the Author

Alain Picard earned a BA in illustration from Western CT State University and went on to study at the Art Student's League in New York City. Picard sites Sargent, Degas, and Sorolla among his artistic influences. A love of light and beauty are immediately apparent in his pastel and oil paintings. Alain's work has been featured in such publication as as The Artist's Magazine and The Pastel Journal. He has garnered top awards throughout the Northeast in esteemed exhibitions including the Portrait Society of America, the Hudson Valley Art Association, the Connecticut Society of Portrait Artists, the Connecticut Pastel Society, and the Pastel Society of America. Alain is a signature member of the Pastel Society of America as well as the Connecticut Pastel Society, where he previously served as President. In 2004 The Artist's Magazine highlighted Alain as one of 20 contemporary artists "On the Rise." He later won the Best Portfolio Award at the 2009 Portrait Society of America Conference in Washington, D.C. A frequent workshop instructor and demonstrator for art associations, schools, galleries, and museums, Alain was recently invited to demonstrate a portrait in pastel at the Metropolitan Museum of Art in New York City. He lives with his wife and two sons in Southbury, Connecticut. Visit www.picardstudio.com.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Very Good with Pastel Basics
By Sandy Askey-Adams
Beautiful cover. I gave this only 4 stars because I wish Alain Picard had done a larger book with much more content. He is a great artist.
However, if you are wanting to give soft pastels a try, for the cost, this is a very good start and the instruction is coming from an artist whose knowledge of pastels is huge. He has won award after award.
You will learn.
It is informative and does get into tools and materials, getting started, the basics and techniques of pastels...depth and form, even painting a portrait. Yes, there is some excellent instruction inside.
But, nothing you would not find in a larger instructional pastel book .
I still would recommend this book because it is a very helpful book in the introduction of pastels for a very low price.
Every page in this only 32 page soft covered (Walter Foster) book teaches.

2 of 2 people found the following review helpful.
LOVE IT! This is really an exception example of ...
By Pat Mapes
LOVE IT! This is really an exception example of the use of pastels in choosing skin colors for all types of skins. This clarified a lot of choices and when to use certain choices in pastels. I highly recommend it.

2 of 2 people found the following review helpful.
perfect
By Penny S. Rice
This has been a great help for my artist daughter who is branching out trying new things! She is loving working with pastels and this book helped her feel successful with her first picture!

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Kamis, 17 Juni 2010

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The SHARIYAT-KI-HURAY, meaning Way of the Eternal, is the most holy of books and is the Bible of those who practice VARDANKAR, the Ancient Science of Out-of-Body Tuza (Soul) Travel. While the name of the path and Masters change, it has always been the most direct path back to the Godhead.This book is one of several volumes translated from the VARDAN Golden Wisdom Temples where one can study with the Spiritual Travelers and Guardians of these magnificent Temples located throughout the Physical, Astral, Causal, Mental, Etheric, Soul Plane and on every plane throughout the high Pure Positive God Worlds of VARDAN! (Spirit) This is often done during the Dream state. All teachings, whether Religions, Philosophies or Metaphysical systems are the offshoots of the VARDAN teachings which is the Ancient Science of Total Awareness and Tuza (Soul) Travel. Every question ever asked by man is answered in these Volumes. As time permits Volumes 3 and 4 will be released followed closely by 5 and 6. To read The SHARIYAT-KI-HURAY is to have access to the secret God knowledge. Only those with the ears to hear and the eyes to see will understand that what is contained in these great books is the pure truth and wisdom of God and how Soul, our true eternal God-Self, may find its way back to its source and take its rightful place as a conscious co-worker with the HURAY (God) in the mighty Ocean of Love and Mercy where IT dwells beyond all matter, energy, time and space and beyond the field of opposites, good and evil, mountains and valleys. This can and is accomplished during one's lifetime on Earth rather then is an empty promise of some future event happening after the death of the body. We truly learn to die daily during our Spiritual Exercises and learn that death is simply Soul leaving the physical body and that one can safely return to the body and leave at will once they learn how and are under the protection of a true Spiritual Traveler.

  • Sales Rank: #935340 in Books
  • Published on: 2015-11-28
  • Original language: English
  • Dimensions: 9.00" h x .56" w x 6.00" l,
  • Binding: Paperback
  • 246 pages

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0 of 0 people found the following review helpful.
Spiritual Eye-Opener
By Marcus
A fantastic book! I've cleared the first 3 chapters and have found them really eye opening. I would suggest this to anyone who wants to really grow spiritually and gain an understand of what reality truly is.

0 of 1 people found the following review helpful.
Three Stars
By wizard2
just eckankar with a new name nothing new

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Kamis, 10 Juni 2010

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Giver of Life, by Camp Kirkland

A heart-felt affirmation of the Source of all we are and have. Dynamically expressive, yet accessible to any choir.

  • Sales Rank: #17294913 in Books
  • Published on: 2000-03-01
  • Number of items: 1
  • Binding: Sheet music
  • 12 pages

About the Author
Camp Kirkland graduated from Florida State University with Bachelor and Master of Music Education degrees, and went on to teach band at the elementary, secondary and collegiate levels. He has performed on euphonium and trombone with the Jacksonville Symphony Orchestra,River City Brass Band and a number of touring bands and orchestras. Camp is best known for his pioneer work in reestablishing instrumental music as a viable medium in today’s church. His position as Instrumental Director at First Baptist Church in Jacksonville was the first of its kind. With several hundred choral and instrumental publications, Camp Kirkland remains a leader in the church orchestra growth phenomenon. He is also much in demand as a conductor and seminar clinician. Camp is currently a free lance composer and arranger residing with his wife, Fran, in Florida.

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  • Sales Rank: #661013 in Books
  • Original language: French
  • Number of items: 1
  • Dimensions: .66 pounds
  • Binding: Sheet music

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Sabtu, 05 Juni 2010

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Acclaimed by D. H. Lawrence as "the greatest book of the sea ever written," Moby Dick looms large in America's literary consciousness — and the style and philosophical content of Melville's 1851 epic was generations ahead of its time. Today the chronicle of a vengeful captain's obsessive, self-destructive search for a white whale ranks among the great American novels, and this volume does full justice to its preeminence. Twenty-five glorious woodcut illustrations from the 1930 Albert and Charles Boni version complement the newly reset edition, which also features an abundance of decorative elements.
Much of Moby Dick was inspired by the 1821 work Narratives of the Wreck of the Whale-Ship Essex, which in turn inspired the 2015 movie In the Heart of the Sea, directed by Ron Howard and starring Chris Hemsworth.

  • Sales Rank: #520941 in Books
  • Published on: 2015-04-15
  • Released on: 2015-03-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.30" h x 2.00" w x 7.30" l, .0 pounds
  • Binding: Hardcover
  • 568 pages

From School Library Journal
Grade 5 Up-Opening with the classic line, "Call me Ishmael," the narrator's New England accent adds a touch of authenticity to this sometimes melodramatic presentation. The St. Charles Players do a credible job on the major roles, but some of the group responses, such as "Aye, aye Captain," sound more comic than serious. This adaptation retains a good measure of Melville's dialogue and key passages which afford listeners a vivid connection with the lengthy novel. Background music and appropriate sound effects enhance the telling of the story about Captain Ahab's obsessive pursuit of the malevolent white whale. The cassettes are clearly marked, and running times are noted on each side of the tapes. Announcements at the beginning of each side and a subtle chime signal at the end make it easy to follow the story, but a stereo player must be used to hear some dialogue. The lightweight cardboard package is inadequate for circulation. Done in a radio theatre format, the recording does a nice job of introducing the deeper themes of the book and covering the major events. For school libraries that support an American literature curriculum, this recording offers a different interpretation of an enduring classic.
Barbara Wysocki, Cora J. Belden Library. Rocky Hill, CT
Copyright 1999 Reed Business Information, Inc.

From Library Journal
November 14 marks the 150th anniversary of Melville's salty saga of vengeance and obsession. Now a contender for the great American novel, this book was harpooned at the time of its 1851 publication by critics who found it overly long and boorish (observations no doubt still shared by countless high school students). They felt that like Ahab, the story didn't have much of a leg to stand on. The once lucrative whaling industry also was in its death throes and of little interest to readers. The book was forgotten for decades before being rediscovered in the 1920s by scholars who understood and appreciated the multilevel symbolism and allegory dismissed by their 19th-century predecessors. Melville published little after the failure of Moby-Dick and made his living as a customs inspector in New York City, where he was born in 1819 and died in complete obscurity in 1891. He is buried in the Bronx. This edition of his masterwork includes the full text along with illustrations of whales, whaling barks, and whaling instruments; maps; and a new introduction by Nathaniel Philbrick. A lot for the price.
Copyright 2001 Reed Business Information, Inc.

Review
(in full Moby-Dick; or, The Whale) Novel by Herman Melville, published in London in October 1851 and published a month later in the United States. Moby-Dick is generally regarded as its author's masterpiece and one of the greatest American novels. The basic plot of Moby-Dick is simple. The narrator (who asks to be called "Ishmael") tells of the last voyage of the ship Pequod out of New Bedford, Mass. Captain Ahab is obsessed with the pursuit of the white whale Moby-Dick, which finally kills him. On that level, the work is an intense, superbly authentic narrative. Its theme and central figure, however, are reminiscent of Job in his search for justice and of Oedipus in his search for truth. The novel's richly symbolic language and tragic hero are indicative of Melville's deeper concerns: the equivocal defeats and triumphs of the human spirit and its fusion of creative and murderous urges. -- The Merriam-Webster Encyclopedia of Literature

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416 of 434 people found the following review helpful.
your understanding might boil down to the quality of the gloss
By Caraculiambro
Unless you are a naval historian or a Melville scholar, you probably won't have a rewarding (or even comprehensible) time with Moby-Dick at this remove unless the edition you're using comes with a good set of footnotes. Here's the skinny on the various editions currently on shelves:

THESE HAVE FOOTNOTES ON THE PAGE ITSELF:

* Charles Feidelson, Jr.'s annotated edition. Unquestionably the most all-around useful edition of Moby-Dick ever printed. Generous and highly useful footnotes right on the page, covering lexical, allusional, and cross-referential items. Two disadvantages: you may at times feel put upon by Feidelson's interlarded interpretations, and the thing is totally out of print. Indianapolis: Bobbs-Merrill, 1964. ISBN: 067260311X

* The "Norton critical" edition, edited by Parker and Hayford. The edition most widely employed by scholars. Stingier with the footnotes than Feidelson, but still a good second choice. Many useful essays at the end. The layout of the text is a bit hard on the eye, though. Make sure you get the SECOND edition, from 2001. ISBN: 0393972836

* The "Barnes and Noble Classics" edition. The footnotes for the most part are skimpy and confined to obscure vocabulary, not cultural and literary allusions. ISBN: 1-59308-018-2

THESE HAVE A FOOTNOTES SECTION IN THE BACK OF THE BOOK:

* The "Oxford World Classics" edition. About 11 pp. at the end. ISBN: 0-19-283385-5

* The "Modern Library" edition. About 13 pp. at the end. ISBN: 0-679-78327-X

* The "Penguin Classics" edition. About 15 pp. of notes at the end by Tom Quirk. ISBN: 0-14-24.3724-7 (This is their fancy hardbound version: see next item.)

* The "Penguin Classics" edition. About 15 pp. of notes at the end by Tom Quirk. ISBN: 0-14-03.9084-7 (This is their paperback edition, which looks totally different but is exactly the same as the previous entry. This claims to be the "definitive text," but any such claim is spurious -- cf. Hayford and Parker [v.s.] for a good discussion of why. Penguin previously came out with an identical-looking but much thicker version annotated by Harold Beaver: the notes for that edition were copious, but on the whole too fanciful and self-indulgent to be of much use.)

* The "Library of America" edition. (This is the one included in the same volume with "Redburn" and "White Jacket.") About 9 pp. of notes at the end. Unfortunately, they're a bit skimpy. You see, they're of the "go get it yourself" kind. For example, when Melville writes, "send Lazarus that he may dip the tip of his finger," the footnotes -- the incidence of which is not marked in the running text -- merely says "Luke 16:24". In other words, you've got to look it up yourself. So I would characterize the footnotes as sparse and taciturn: they'll clue you in to the source, but as for the exact wording of something and its accumulated historical connotations, you've got to come up with those yourself. ISBN: 0-940450-09-7

THESE HAVE NO FOOTNOTES WHATSOEVER:

Why do publishers still print editions of Moby Dick without any footnotes or glossary whatsoever? Who can read it? What a waste of paper. I get so irritated! In any event, the following publishers have decided you'd prefer your white whale raw:

* The "Bantam Classic" edition. ISBN: 0-553-21311-3 Ain't got jack.

* The "Everyman's Library" edition. ISBN: 0-679-40559-3. Zilch.

* The "Penguin 150th Anniversary" edition. ISBN: 0-14-20.0008-6 Bupkiss! Handsome, though.

* The "Arion Press" edition. ISBN: 0-520-04354-5. Also annoyingly oversized.

And that's my bit of altruism for the week.

605 of 637 people found the following review helpful.
This book is gonna make it!
By Adam Roberts
Finishing "Moby Dick" goes up there with my greatest (and few) academic achievements. It was a gruelling read, but---in the end---completely worthwhile.
I've been reading it for 6 months. I started over the summer, during an abroad program in Oxford, and I remember sitting outside reading when one of the professors came over, saw what I was reading, and said: "It's a very strange book, isn't it?"
Looking back, that might be the best way to describe it. The blurb from D.H. Lawrence on the back cover agrees: Moby Dick "commands a stillness in the soul, an awe...[it is] one of the strangest and most wonderful books in the world."
Now there are those who will say that the book's middle is unbearable---with its maddeningly detailed accounts of whaling. Part of me agrees. That was the hardest to get through. But, still, even the most dull subject offers Melville an opportunity to show off his writing chops. He's a fantastic writer---his text most resembles that of Shakespeare.
And, like one Shakespeare's characters, Melville sees all the world as a stage. Consider this beautiful passage from the first chapter:
"Though I cannot tell why it was exactly that those stage managers, the Fates, put me down for this shabby part of a whaling voyage, when others were set down for magnifient parts in high tragedies, and short and easy parts in genteel comedies, and jolly parts in farces--though I cannot tell why this was exactly; yet, now that I recall all the circumstances, I think I can see a little into the springs and motives which being cunningly presented to me under various disguises, induced me to set about performing the part I did, besides cajoling me into the delusion that it was a choice resulting from my own unbiased freewill and discriminating judgment."
The end of "Moby Dick" informs the rest of the book, and in doing so makes rereading it inevitable. It is telling that Moby Dick doesn't appear until page 494. It is telling, because, the majority of the book is spent in anticipation---in fact, the whole book is anticipation. It's not unlike sex, actually---delaying gratification to a point of almost sublime anguish. What comes at the book's end, then, is mental, physical, and spiritual release (as well as fufillment).
The book leaves you with questions both large and small. I was actually most troubled with this question---What happened to Ishmael? No, we learn his fate at the book's end, but where was he throughout it? We all know how it starts---"Call me Ishmael"---and the book's first few chapters show him interacting with Queequeg and an innkeeper. But then we lose him onboard the Pequod---we never see him interact with anyone. No one ever addresses him. He seems to witness extremely private events---conferences in the Captain's quarters, conversations aboard multiple boats, and--what can only be his conjecture--the other characters' internal dialogue. Is he a phantom? What is he that he isn't? Somehow I think this question masks a much larger and more important one.
Try "Moby Dick." Actually, don't try it---read it. Work at it. Like lifting weights a bit heavier than you're used to, "Moby Dick" will strengthen your brain muscle. Don't believe those who hate it, they didn't read it. They didn't work at it. Be like Ishmael, who says: "I try all things; I achieve what I can." Or, more daringly, be like Ahab, whose ambition is his curse, but whose curse propels and writes the book itself.

285 of 297 people found the following review helpful.
Open your mind
By TJ
Last year I decided to expand my intellectual horizons by reading a series of American literary classics. Moby Dick was the first book on my list. It took me three months to finish this legendary story and, looking back on it now, I must say that it was worth every minute. To others who are considering this effort I say this: buttress your stamina and open your mind. This is not John Grisham or Tom Clancy. You will be reading high literature and you will be required to think. If you do so, Ishmael, Ahab and crew will open a window to some of mankind's most profound questions: Is it better to fight evil or promote virtue? Where is the line between honorable justice and blind vengeance? Do bad things happen because the universe is evil or just indifferent? The true pleasure to be derived from reading this book can be found by closing its pages every so often and reflecting on the questions that it will raise in your mind. A completely different experience than breezing through the latest best-seller, but much more rewarding.
Be aware that Moby Dick is many types of books in one. It is part adventure story, part sermon, part history of whaling, part encyclopedia of whale anatomy, part metaphysical allegory. Expect it to change periodically as you move through it, be receptive to each part, and don't try to compartmentalize it as any one particular type of work.

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