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Why Sinatra Matters, by Pete Hamill
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In honor of Sinatra's 100th birthday, Pete Hamill's classic tribute returns with a new introduction by the author.
In this unique homage to an American icon, journalist and award-winning author Pete Hamill evokes the essence of Sinatra--examining his art and his legend from the inside, as only a friend of many years could do. Shaped by Prohibition, the Depression, and war, Francis Albert Sinatra became the troubadour of urban loneliness. With his songs, he enabled millions of others to tell their own stories, providing an entire generation with a sense of tradition and pride belonging distinctly to them.
With a new look and a new introduction by Hamill, this is a rich and touching portrait that lingers like a beautiful song.
- Sales Rank: #114958 in Books
- Published on: 2015-10-20
- Released on: 2015-10-20
- Original language: English
- Number of items: 1
- Dimensions: 5.25" h x .75" w x 7.75" l, 1.00 pounds
- Binding: Hardcover
- 208 pages
From Publishers Weekly
Like a musical Elements of Style, Hamill's slim meditation on Frank Sinatra is confident, smart and seamless. Since (and immediately before) Sinatra's death in May 1998, countless tributes have been made to the singer; Hamill (A Drinking Life) seems to be writing to set the record straight, for he knew Sinatra and, before that, knew the singer's music. But Hamill doesn't fawn over Sinatra the way other, younger writers have recently done. Rather, he elegantly tells the Sinatra story, dwelling on the singer's best recordings, dismissing "the Rat Pack, the swagger, the arrogance, the growing fortune, the courtiers," because in the end, he writes, they are "of little relevance." What matters, according to Hamill, is the music, chiefly that of Sinatra's early mature years, when the singer released his celebrated albums on the Capitol label. Where a starry-eyed author might vaguely praise these albums for their pathos and vulnerability, Hamill points out that, before the singer's Capitol comeback years, Sinatra's fans were almost exclusively young women. The stubborn, post-Ava Gardner heartache of Sinatra's later records, however, with their lack of self-pity, gained Sinatra a chiefly male audience. Of this, perhaps the singer's greatest musical period, Hamill writes that Sinatra "perfected the role of the Tender Tough Guy.... Before him, that archetype did not exist in American popular culture." That may be true, but Hamill sets his book apart from the many others about Old Blue Eyes by tempering intelligent superlatives with the retelling of touching, revelatory moments the two men shared. Hamill's is a definitive introduction to Sinatra's work.
Copyright 1998 Reed Business Information, Inc.
From Library Journal
The barrage of recent Frank Sinatra books has resulted in his being the most written-about celebrity in the world after Monroe and Presley. Hamill's slim essay is distinguished from other recent works by its objective focus on the components of the late singer's enduring musical legacy. Veteran writer Hamill (e.g., A Drinking Life, LJ 1/94) is comfortable in the New York City milieu of late nights, saloons, and prizefighters, and he has captured the essence of Sinatra, who created something that was not there before he arrived: an urban American voice. The book's strength is its insight into and evocation of the Italian American immigrant experience that had such a strong influence on Sinatra. Minor weaknesses are an oversimplified examination of prejudice and an underdeveloped 1974 vignette about Ava Gardner that fails to make its point. Recommended for public and academic libraries.?Bruce Henson, Georgia Inst. of Technology, Atlanta
Copyright 1998 Reed Business Information, Inc.
From Booklist
A combination biography and cultural analysis by the author of A Drinking Life (1993). In Hamill's view, Frank Sinatra was important for two reasons. First, Sinatra represented the fulfillment of the American Dream. A first-generation Italian, young Sinatra experienced anti-immigrant biases firsthand. Yet for all its flaws, America still offered substantial opportunity, and by the time he was 15, Sinatra dreamed of singing professionally. Of course, he accomplished this and more, but throughout, Hamill asserts, Sinatra the superstar never forgot his humble roots. Second, Sinatra gave us a new sound, the "urban American voice." When Sinatra broke onto the scene in the early 1940s, the avuncular and soothing Bing Crosby was the singer. But Sinatra's songs were very different, edgier, more passionate, with a fair amount of swagger, yet always returning to what Hamill argues was Sinatra's central theme, loneliness. A heartfelt and intelligent tribute to Ol' Blue Eyes. Brian McCombie
Most helpful customer reviews
44 of 44 people found the following review helpful.
There will never be another...
By JR Pinto
I only saw my hero, Frank Sinatra, perform once. It was at the end of his career - and his life. It was a strange evening; he was obviously at the end - he couldn't remember the words to his songs or read the teleprompter. Few people left however - the evening soon became about us - his fans - letting him know that we still loved him. "I LOVE YOU FRANK!" a huge, middle-aged, rough-looking man yelled out during a pause. Sinatra, taken aback by the violence of the outburst, chuckled and replied, "I love you too, pal." As Pete Hamill once pointed out, "Seeing Sinatra in ruins is like seeing the Coliseum in ruins - it's still magnificent."
Why Sinatra Matters is a must-read for any Sinatra-phile. In the Overture, Hamill cites Sinatra's death as the impetus for writing this book. He saw all these young reporters from MTV and VH1 doing stories on Sinatra (obviously prepared in advance) telling the world Sinatra was important, without really understanding why. It certainly wasn't just because he did it "his way."
This is a very short book. As Hamill points out it is not a "definitive biography" - although once he was in talks with Sinatra to write just that. It is, as the title plainly states, an explanation of why Sinatra matters - artistically and culturally - and why he always will. In terms of Culture, Hamill reminds the reader of a time when America felt it was morally obligated to persecute Italians - Sinatra helped change all that. Musically, the reasons are more complex. To put it succinctly, no one ever sounded like Sinatra before.
The book is great because it also sheds light on Sinatra the man, who is often lost in the obscurity of his own public image. He was not just some gruff tough guy - a kind of idiot savant who could churn out a great recording in one take. He was a fiercely intelligent, well-read, well-cultured, self-educated man who worked hard at his craft. The most enjoyable parts of the book are the conversations Hamill recounts between himself and Sinatra. Most shocking of all - to me at least - was to imagine Sinatra using the F-word!
30 of 30 people found the following review helpful.
A wonderful read--like an old song
By Robert Wellen
Pete Hamill, beyond a doubt, is an excellent writer. He does a wonderful job here. The book is part bio, part history of immigrants in America, and part memoir. It works on all levels. Hamill treats Frank with the respect he deserves. The book is not a gossipy memoir--Kitty Kelly fans should look elsewhere. Instead, he makes the important arguement that Sinatra gave voice to first, a generation, and then an entire country. His artisty is what matters. The myth of the man is fun and gets most the attention, but that is besides the point for Hamill. And he is right. We all talk about the "Sinatra in a hat" (as Hamill dubs him) and the Rat Pack--but the music endures. It is, argues Hamill, what matters in the Wee Small Hours of the Morning. It is what will stand the test of time and give voice to a thousand broken dreams, hearts, and help us--like Frank after the Fall--get back up and start all over again. Thanks, Pete Hamill for getting it right.
27 of 27 people found the following review helpful.
THE MOST LUCID, INTELLIGENT LOOK AT THE LEGEND
By A Customer
I am the eleventh of twelve kids. I am 42, and come out of Brooklyn. I have walked the streets of Hoboken. It reminds me of Bay Ridge, but the Statue of Liberty is facing the other way, and the Twin Towers are so big and close. My father had a bar in Brooklyn: a place that catered to the lonely: longshoreman who didn't want to go home for whatever reasons, older women who were jilted by the latest bum. They drank, a concordat of losers. In silence, they smoked unfiltered cigarettes and listened to that guy on the jukebox. The guy who really felt their pain, decades before it became some rank political joke. The voice was Frank Sinatra's, and he was my hero since I could walk. Pete Hamill, whom I've been reading for over twenty-five years, has the lapidary's eye, the poet's words, in his brilliant analysis of Sinatra the man, and what his essence really meant. Speaking of Sinatra after his death, Hamill writes: "Now Sinatra is gone, taking with him all his anger, cruelty, generosity, and personal style. The music remains. In times to come, that music will continue to matter, whatever happens to our evolving popular culture. The world of my grand-children will not listen to Sinatra in the way four generations of Americans have listened to him. But high art always survives. Long after his death, Charlie Parker still plays his version of the urban blues, Billie Hoilday still whispers her anguish. Mozart still erupts in joy.....In their ultimate triumph over the banality of death, such artists continue to matter. So will Frank Sinatra." This slim volume is the best thing I've read about Sinatra. Hamill hides no blemishes, and still gives us a totality of the man that no other biographer could. Alas, most great singers and writers now repose on the other side of the grass. We no longer have Sinatra in the flesh, yet, through his music, he will outlive everyone. And in the year 2067, a young adult will listen to the unparalleled majesty of his voice for the first time, and then go to the library to read WHY SINATRA MATTERS by Pete Hamill to make some sense of it all. KEVIN FARRELL
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