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The Emancipated Spectator, by Jacques Ranciere
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The theorists of art and film commonly depict the modern audience as aesthetically and politically passive. In response, both artists and thinkers have sought to transform the spectator into an active agent and the spectacle into a communal performance.
In this follow-up to the acclaimed The Future of the Image, Rancière takes a radically different approach to this attempted emancipation. First asking exactly what we mean by political art or the politics of art, he goes on to look at what the tradition of critical art, and the desire to insert art into life, has achieved. Has the militant critique of the consumption of images and commodities become, ironically, a sad affirmation of its omnipotence?
- Sales Rank: #1563985 in Books
- Brand: Brand: Verso
- Published on: 2009-11-02
- Released on: 2009-11-02
- Original language: English
- Number of items: 1
- Dimensions: .80" h x .7" w x .55" l, .57 pounds
- Binding: Hardcover
- 134 pages
- Used Book in Good Condition
Review
“What we see here is Ranciere developing a unique voice as a political theorist.”—Bookforum
“In this follow-up to his fruitful The Future of the Image, French philosopher Rancière argues forcefully against familiar critiques of the ‘spectacle’ ... This persuasive argument is fleshed out through close readings of art, ¬photography, literature and video installation, and a drily amusing analysis of leftwing ‘melancholy’ and ‘rightwing frenzy’ in critiques of ¬capitalism.”—Steven Poole, Guardian
“French philosopher Jacques Ranciere is a refreshing read for anyone concerned with what art has to do with politics and society.”—Art Review
“His art lies in the rigor of his argument—its careful, precise unfolding —and at the same time not treating his reader, whether university professor or unemployed actress, as an imbecile.”—Kristin Ross
“It’s clear that Jacques Rancière is relighting the flame that was extinguished for many—that is why he serves as such a signal reference today.”—Thomas Hirschhorn
“In the face of impossible attempts to proceed with progressive ideas within the terms of postmodernist discourse, Rancière shows a way out of the malaise.”—Liam Gillick
“What we are given is, above all, a figure of the spectator whose capacities to sense and think are greater than we have been prepared to conceive.”—Radical Philosophy
“The Emancipated Spectator is intended to improve our comprehension of art and deepen our grasp of the politics of perception ... [it has an] impressive concern with the political analysis of art and the use of imagery”—Times Higher Education
“Ranciere’s writings offer one of the few conceptualizations of how we are to continue to resist.”—Slavoj Žižek
About the Author
Jacques Rancière is Emeritus Professor of Philosophy at the University of Paris-VIII. His books include The Politics of Aesthetics, On the Shores of Politics, Short Voyages to the Land of the People, The Nights of Labor, Staging the People, and The Emancipated Spectator.
Gregory Elliott is a member of the editorial collective of Radical Philosophy and author of Althusser: The Detour of Theory and Labourism and the English Genius: The Strange Decay of Labour England?.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Five Stars
By Tony
Excellent philosopher.
9 of 9 people found the following review helpful.
Incisive
By Steiner
To put things broadly, this small collections by Ranciere is essentially a critique of "The Society of the Spectator." Ranciere's dialectical aesthetics of politics employs nuanced "aesthetic regimes" in order to unearth internal logics of political/aesthetic transformation. In particular, his comments in `The Intolerable Image,' go a long way in launching a critique of the work of art as a dispositif of visibility. That is, the very notion that the image can serve as the simultaneous link between representation, knowledge, and action is revealed as a groundless politics. A highly thoughtful and rich text.
15 of 20 people found the following review helpful.
Ranciere on art and the political.
By Pen Name?
This is a good book and the translation reads well. I don't know where the third essay in this book comes from ("Aesthetic Separation, Aesthetic Community"). It is not from Le spectateur émancipé. It is not indicated in the book, but it here replaces the third essay in the French edition and that essay, "Les paradoxes de l'art politique" which is not here. While there is an essay entitled "The Paradoxes of Political Art" in the collection "Dissensus," that does not seem to be the same essay as the one from Le spectateur émancipé.
But aside from this bit of confusion, the text is great and the different essays still cover roughly the same territory of thought. The "Aesthetic Separation, Aesthetic Community" essay is in fact particularly enlightening for outlining his understanding of the aesthetics of knowledge. The first essay, "The Emancipated Spectator," is another highlight in terms of developing Rancière's thinking on aesthetics and politics.
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